Happy Valentines! Today you can send our song, The Roots of Love, as a gift your loved ones FOR FREE! Just follow the Link. To celebrate, we are releasing the third video in a series captured during the recording of our latest album Old Tomorrow. Check it out here and share it far and wide! All our love, Morlove.

Here’s a story Corwin wrote for the Banff Centre Blog about our time there, writing Old Tomorrow. He even admits to sleeping in the library.. Read it HERE.

We are officially en route to our first festival of the season: Tiny Lights Festival in Ymir, BC on June 15 & 16. We are excited to have  some new magicians joining us on stage, namely Elise Boeur (fiddle) and Noah Cebulliak (drums) of Ghost Lights. Then Miss Emily Brown and The Chimney Swallows (Corwin Fox‘s duo project with master songwriter Raghu Lokanathan) will drive on to Campbell Bay Music Festival on June

21 & 22 on Mayne Island, the vision of Adam Iredale-Gray of Fish & Bird and his sister Meg O'Mally. Packed our travel mugs and more instruments than we can carry.

Later in the summer, Morlove will journey to Kispiox Music Festival in Hazelton BC for July 26-28 and Artswells Festival of All Things Art in Wells BC for August 2-4.

Great review of Old Tomorrow in Toronto’s Globe and Mail!

FOLK – Morlove – Old Tomorrow

Do we really need to know that this curious, gorgeous album of orchestral roots styles was recorded in a geodesic dome on B.C.’s Quadra Island? Maybe. And that the songs were inspired by the study of lunar cycles and knitting patterns? I think that’s good info. We’re talking about structure – the seemingly lightweight constructions of Corwin Fox and Emily Millard, who plaintively offer songs on shapes meeting (The Roots of Love )

and on John A. Macdonald and nation-tying (the calmly plucked waltz Old Tomorrow). This is music craft of honeycomb strength, on weaves and waves, rhythms and harmonies, architecture and human destinies – “spinning substance out of nothingness.” And yes, it all comes together in the end. – B.W.

http://m.theglobeandmail.com/arts/music/album-reviews/the-national-lets-go-and-gets-comfortable/article11988219/?service=mobile

Exclaim! Folk & Country reviews Old Tomorrow:

Likely the only album you’re going to hear all year recorded in a geodesic dome, Morlove’s second full-length, Old Tomorrow, is a densely packed effort that reveals itself with careful, repeated listens. The record approaches the theme of patterns with delicate inquisitiveness and quiet daring. Songwriters Corwin Fox and Miss Emily Brown have created a set of songs that touches upon a variety of ideas and feelings,

staying within the unified vision of the album. Lyrically, the tracks reveal maturity and depth, as on aching relationship study "Skeleton," where Fox does the near-impossible and sums up a common problem many have in one fell swoop, singing, "Every time, I struggle with the clash between devotion and autonomy." It's just one of the many arresting moments to be found here. Not to be outdone, Emily Brown's voice is a mercurial weapon — the perfect complement to Fox's earthy delivery. Check out the soaring "Architect" for some of Brown's loveliest vocals. Built upon the weaving pattern of Fox's traditional Scottish family tartan, the song hints at a groove just underneath the surface. Pumped full of evocative sounds by violinist Hannah Epperson and cellist Christina Zaenker, it's a high point on a record full of them. - Blake Morneau